Component Approved Translated Unfinished Unfinished words Unfinished characters Untranslated Checks Suggestions Comments
clarity/breathiness 0 0 0 0 0 0 0
clarity/creak 0 0 0 0 0 0 0
clarity/FVF 0 0 0 0 0 0 0
clarity/index 0 0 0 0 0 0 0
clarity/nasality 0 0 0 0 0 0 0
clarity/onsets 0 0 0 0 0 0 0
clarity/subharmonics 0 0 0 0 0 0 0
communities/index 0 0 0 0 0 0 0
disclaimer/index 0 0 0 0 0 0 0
getting-started/how-to-practice 0 0 0 0 0 0 0
getting-started/index 0 0 0 0 0 0 0
getting-started/pitch 0 0 0 0 0 0 0
getting-started/vocal-gender 0 0 0 0 0 0 0
js-spec/index 0 0 0 0 0 0 0
main 0% 0% 28 191 2,315 0 24 0 0
microbehaviours/index 0 0 0 0 0 0 0
microbehaviours/microbehaviour-list 0 0 0 0 0 0 0
microbehaviours/mimicry 0 0 0 0 0 0 0
non-speech/index 0 0 0 0 0 0 0
other-resources/glossary 0 0 0 0 1 0 0
other-resources/index 0 0 0 0 0 0 0
other-resources/mechanisms 0 0 0 0 0 0 0
other-resources/new_terminology 53% 53% 32 1,096 7,177 0 32 0 0
other-resources/pedagogy 0 0 0 0 0 0 0
other-resources/questionable-exercises 0 0 0 0 0 0 0
other-resources/questionable-terms 0 0 0 0 0 0 0
other-resources/SOVTE 0 0 0 0 0 0 0
other-resources/spectrograms 0 0 0 0 0 0 0
other-resources/vocal-health 0 0 0 0 0 0 0
other-resources/voice-anatomy 0 0 0 0 0 0 0
PIPM/basepitch 0 0 0 0 0 0 0
PIPM/index 0 0 0 0 0 0 0
pitch-range/belting 0 0 0 0 0 0 0
pitch-range/index 0 0 0 0 0 0 0
resonance/acoustic-resonance 0 0 0 0 0 0 0
resonance/index 0 0 0 0 0 0 0
speech-patterns/index 0 0 0 0 0 0 0
Glossary TransVoice-Wiki 0 0 0 0 0 0 0
various/covert-practice 0 0 0 0 0 0 0
various/hall-of-fame 0 0 0 0 0 0 0
various/hyperadduction 0 0 0 0 0 0 0
various/index 0 0 0 0 0 0 0
various/low-fem-voices 0 0 0 0 0 0 0
various/passages 68% 68% 6 732 4,141 0 1 0 0
vocal-weight/index 0 0 0 0 1 0 0
voice-examples/index 0 0 0 0 0 0 0

Overview

Project website github.com/trans-archive/TransVoice-Wiki
Language Chinese (Simplified Han script)
Language code zh_Hans
Text direction Left to right
Number of speakers 1,286,095,292
3 hours ago

String statistics

Strings percent Hosted strings Words percent Hosted words Characters percent Hosted characters
Total 737 27,268 170,476
Approved 91% 671 92% 25,249 92% 156,843
Waiting for review 0% 0 0% 0 0% 0
Translated 91% 671 92% 25,249 92% 156,843
Needs editing 8% 66 7% 2,019 7% 13,633
Read-only 0% 0 0% 0 0% 0
Failing checks 8% 59 6% 1,731 7% 12,272
Strings with suggestions 0% 0 0% 0 0% 0
Untranslated strings 0% 0 0% 0 0% 0
Last 12 months Previous

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737
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91%
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1
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User avatar Leetfs

Translation approved
### Pitch naturalisation at a set pitch
This is slightly more advanced, so it is best to use it only if we either get stuck on the floating method, or have already achieved some changes through that exercise. This can also be used to bring a lighter voice down low in pitch for deep feminine voices, once enough skill is learned.
- pick a pitch to use as a base pitch; make sure it's not too high, it should be easy to do in your heavier, more masculine voice
- slide up to this pitch and speak one phrase monotone, keeping it loud and strong
- start the second phrase a little higher, but have it come down to the base pitch again by the end, making it easier to add intonation
- at no point in this exercise should you 'try' to do anything, and it's best to avoid focusing on any individual aspects. Instead, is the overall voice getting more natural and easy to use?
- at each pitch step your goal is to become more lazy and relaxed over time and to get used to speaking at this level; your body wants to do certain things to the voice at each pitch and so you should let it.
- when you're very very comfortable and it feels natural and not 'pushed' to speak here, go to the next pitch or start again
- if you can let the intonation naturally go quite high, then you'll get a little more results faster but again don't 'try' to do so
### 在固定音高的音高自然化
这一练习相对更高级，因此建议在「上扬」法遇到瓶颈，或已经通过该练习取得一定进展后再尝试。该方法还可用于在掌握足够技能后，将较轻的声音降至较低音高，以适应较深沉的女性化声音。
- 选择一个基础音高，确保它不会太高，应该能够轻松用较厚重、较男性化的声音发出。
- 滑动到该音高，并用单一音高朗读一个短语，保持响亮且有力的发声。
- 让第二个短语的起始音高略高一些，但在结尾回落到基础音高，这样可以更容易加入语调变化。
- 在整个练习过程中，不要刻意「尝试」去做任何调整，避免专注于某个具体特征。相反，要关注整体语音是否变得更自然、更易使用。
- 在每个音高阶段，你的目标是逐渐变得更放松、更自在，并习惯在该音高下讲话。你的身体在每个音高下都会有自然的调整倾向，因此应顺其自然。
- 当你在该音高下感觉**非常非常**自然，且没有任何压力时，可以尝试下一个音高，或重新开始整个过程。
- 如果你能让语调自然上扬，可能会获得更快的效果，但同样不要刻意去做到这一点
3 weeks ago
User avatar Leetfs

Translation approved
## Get more [pitch range](/wiki/pages/pitch-range)
- at first this means just using the voice at a slightly higher pitch sometimes to stretch your range over time. Fatigue or strain is to be avoided entirely; if you feel tension in the neck you are trying too hard or are too high
- blending into m2/falsetto and making it sound more full
- practice intonating progressively higher
## 扩展[音域 (pitch range)](/translate/zh_Hans/pitch-range)
- 一开始可以在更高的音高上练习，以便逐渐扩大音高范围。避免紧张或疲劳；如果感到喉部紧绷，说明你用力过猛或音高过高
- 练习将 M2 / 假声融合进主声区，使其听起来更加饱满
- 逐步练习更高的语调变化
3 weeks ago
User avatar Leetfs

Translation approved
---
title: Acoustic Resonance
parent: Big List of Stuff
nav_order: 19
has_children: false
nav_exclude: true
---
<details closed markdown="block">
<summary>
Table of contents
</summary>
{: .text-delta }
1. TOC
{:toc}
</details>
<!-- remove nav_show: true when this is filled -->
---
title: 声学共鸣（Acoustic Resonance）
parent: "杂项"
nav_order: 19
has_children: false
nav_exclude: false
---
<details closed markdown="block">
<summary>
目录
</summary>
{: .text-delta }
1. TOC
{:toc}
</details>
<!-- remove nav_show: true when this is filled -->
3 weeks ago
User avatar Leetfs

Translation approved
### Vocal Weight and Airflow
Higher vocal weight requires more subglottal pressure, but not more airflow. This can seem a little counter intuitive, but we can increase air pressure without increasing airflow, since that airflow pressure is resisted by the folds. This extra resistance by the folds is what allows them to vibrate with more mass. If the airflow skipped over the folds, then they wouldn't have the energy to move in the high vocal fold mass configuration.
- more vocal weight requires more pressure but not airflow
- you can get louder without increasing weight or pressure by using higher [closure](/wiki/pages/clarity/breathiness.html#breathiness)
- pressed phonation ([hyperadduction](/wiki/pages/various/hyperadduction)) is when you add too much [closure](/wiki/pages/clarity/breathiness.html#breathiness), getting to harmful levels
### 音重与气流
较高的音重需要更多的声门下压力（subglottal pressure），但并不需要更多的气流。这可能看起来有些违反直觉，但实际上，我们可以增加气流压力而不增加气流量，因为声带会抵抗气流的通过。这种抵抗作用使声带能够以更大的质量振动。如果气流直接掠过声带而没有足够的阻力，声带将无法在高音重模式下产生足够的振动能量。
- 增加音重需要更高的压力，但不需要更多的气流。
-可以通过提高 [闭合度](clarity/breathiness.html#breathiness) 来增大音量，而不增加音重或压力。
- 受迫发声 ([过度内收](various/hyperadduction)) 是由于 [闭合度](clarity/breathiness.html#breathiness)，造成负面的结果
3 weeks ago
User avatar Leetfs

Translation approved
The idea is to start speaking at whatever is your natural relaxed pitch, with a strong tone. Don't go breathy or quiet, keep it strong and natural. Speak a passage; let intonation be present, and make the last note of each phrase or sentence held longer and stay on the same note. This will be your base pitch. The base pitch will now rise just slightly, so the pitch you end each phrase on will be slightly higher too. Once you feel **very comfortable** here, let that base pitch and the whole voice float up a little further, still letting the voice rise for intonation as well. Just the act of raising the last note will shift the entire voice, and the fact that we shifted the entire voice will mean the voice will slowly and naturally adjust. How high you go is determined by which pitches are already relaxed and naturalized.
- speak at your relaxed, not-doing-anything pitch
- make sure to start strong, possibly a little bit louder and heavier than normal
- make **the last word of each phrase held longer** and monotone as it rests on the **base pitch** which helps keep the base pitch consistent
- base pitch is the pitch your voice returns to after intonation, and it's what is raising the entire voice up to that "anchor"
- once you feel comfortable here, let that last word and note float up a tiny bit, raising the whole voice
- repeat, but don't push the pitch too high - the goal is to naturalize all of your range, not raise pitch
- be extremely patient; if you rush or try too hard to control things, it won't work
- lean toward less airflow but moderately loud
- going up in pitch should be extremely easy, suspiciously so; if not, spend more time letting it naturalise it here or start again
- pitch naturalisation is called that because at each pitch, the voice sounds natural as if it's always been at this pitch and this is your "natural voice"
{% include youtube.html id="v-pipmintro" ytid="FrQQQLOmfrc" yttitle="PIPM Intro" %}
{% include youtube.html id="v-pipmexample" ytid="x4O7hkC2zN8" yttitle="Example of the pitch naturalisation exercise" %}
这个训练的核心思想是从你自然放松的音高开始说话，并保持施力（即有力的音色）。不要让声音变得气息化或太轻，而是要保持自然且有力。朗读一段文字，让语调存在，并延长每个短语或句子的最后一个音节，确保它保持在相同的音高。这就是你的基准音高。接下来，基准音高将稍微上升，因此每个短语结尾的音高也会略微提高。当你在这个新音高感到非常舒适时，让整个基准音高和声音再上升一点，同时仍然保持语调的自然上升。单单提升最后的音节就会改变整个声音，而整个声音的变化也会使其自然调整。你能上升到多高，取决于哪些音高对你来说已经是放松且自然的。
- 以自然放松的音高说话，不要刻意调整。
- 确保开始时声音有力，可能比平时稍微更响亮、更有重量感。
- 延长每个短语的最后一个词，并让其保持单一音高（基准音高），这样有助于保持基准音高的稳定性。
- 基准音高是你的声音在语调变化后回归的音高，它决定了整个声音的「锚点」。
- 当你感觉舒适时，让最后一个词和音高再稍微浮动向上，带动整个声音上升。
- 重复这个过程，但不要强迫音高过度上升——目标是让整个音域都自然化，而不是单纯升高音高。
- 保持耐心，如果操之过急或者过度控制，训练就不会奏效。
- 减少气流，但保持中等音量，避免声音变得过于轻柔或气息化。
- 上升音高应该是极其轻松的，甚至让人觉得过于轻松。如果感觉困难，就花更多时间让声音适应这个阶段，或者重新开始。
- 这个训练叫「音高自然化」，是因为无论在哪个音高，你的声音都会听起来自然，就像它一直处于这个音高一样，这才是你的「自然声音」。
{% include youtube.html id="v-pipmintro" ytid="FrQQQLOmfrc" yttitle="音高直觉训练法简介" %}
{% include youtube.html id="v-pipmexample" ytid="x4O7hkC2zN8" yttitle="音高自然化练习样例" %}
3 weeks ago
User avatar Linzh7

Changes committed
Changes committed a month ago
User avatar Linzh7

Changes committed
Changes committed a month ago
User avatar Linzh7

Translation approved
## Practice speech patterns
- find an [example](/wiki/pages/voice-examples) of a voice you like
- you don't need to be monotone to sound masculine, but you do need to keep the voice heavy if you do intonate
- masculine voices typically have less intonation frequency, meaning they may intonate up once and let it slowly drop, rather than going up and down for every word (but, again it's not always the case)
## 训练语音模式
- 找一个你喜欢的 [语音示例](/translate/zh_Hans/voice-examples)。
- 不需要让语调完全单调来听起来更男性化，但如果你有语调变化，仍然需要保持声音的重量感。
- 男性化语音通常语调变化频率较低，可能会在某处稍微上扬后缓慢下降，而不会在每个词上都出现明显的音调起伏（但这也不是绝对的）
a month ago
User avatar Linzh7

Translation approved
## Develop a lower resonance and darker voice
- mouth space and articulation are extremely important, so look at some methods that focus on that like [hah/haw](/wiki/pages/resonance/#haah-and-haww)
- it may be needed to lower overall resonance too, not just mouth space; whispering high to low as a guide, or doing a yawn, can make that happen
## 培养更低的共鸣和更低沉的音色
- 口腔空间和发音方式极为重要，可以尝试一些专注于这些方面的方法，例如 [hah/haw 练习](/translate/zh_Hans/resonance/#haah-and-haww)。
- 可能需要降低整体共鸣，而不仅仅是调整口腔空间。尝试从高到低的轻语练习，或者哈欠练习（本教程皆附），可以帮助降低共鸣
a month ago
User avatar Linzh7

Translation approved
## Expand your lower range
- low pitch and heavy vocal weight are linked, and to achieve one you need the other
- [Vocal Weight Layering slides](/wiki/pages/vocal-weight/#pitch-slide-vocal-weight-layering) are a good exercise to start with
- avoid fry and pressed phonation, as they don't help but can sound lower in pitch
## 扩展低音范围
- 低音高和高音重是相关的，两个往往且需要被同时掌握。
- [音重分层滑音](/translate/zh_Hans/vocal-weight/#pitch-slide-vocal-weight-layering) 练习是一个很好的入门训练。
- 避免低频喉音和受压发声，这些可能会让声音听起来更低沉，但实际上并不会真正降低音高
a month ago
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