Component Approved Translated Unfinished Unfinished words Unfinished characters Untranslated Checks Suggestions Comments
clarity/breathiness 0 0 0 0 0 0 0
clarity/creak 0 0 0 0 0 0 0
clarity/FVF 0 0 0 0 0 0 0
clarity/index 0 0 0 0 0 0 0
clarity/nasality 0 0 0 0 0 0 0
clarity/onsets 0 0 0 0 0 0 0
clarity/subharmonics 0 0 0 0 0 0 0
communities/index 0 0 0 0 0 0 0
disclaimer/index 0 0 0 0 0 0 0
getting-started/how-to-practice 0 0 0 0 0 0 0
getting-started/index 0 0 0 0 0 0 0
getting-started/pitch 0 0 0 0 0 0 0
getting-started/vocal-gender 0 0 0 0 0 0 0
js-spec/index 0 0 0 0 0 0 0
main 0% 0% 28 191 2,315 0 24 0 0
microbehaviours/index 0 0 0 0 0 0 0
microbehaviours/microbehaviour-list 0 0 0 0 0 0 0
microbehaviours/mimicry 0 0 0 0 0 0 0
non-speech/index 0 0 0 0 0 0 0
other-resources/glossary 0 0 0 0 1 0 0
other-resources/index 0 0 0 0 0 0 0
other-resources/mechanisms 0 0 0 0 0 0 0
other-resources/new_terminology 53% 53% 32 1,096 7,177 0 32 0 0
other-resources/pedagogy 0 0 0 0 0 0 0
other-resources/questionable-exercises 0 0 0 0 0 0 0
other-resources/questionable-terms 0 0 0 0 0 0 0
other-resources/SOVTE 0 0 0 0 0 0 0
other-resources/spectrograms 0 0 0 0 0 0 0
other-resources/vocal-health 0 0 0 0 0 0 0
other-resources/voice-anatomy 0 0 0 0 0 0 0
PIPM/basepitch 0 0 0 0 0 0 0
PIPM/index 0 0 0 0 0 0 0
pitch-range/belting 0 0 0 0 0 0 0
pitch-range/index 0 0 0 0 0 0 0
resonance/acoustic-resonance 0 0 0 0 0 0 0
resonance/index 0 0 0 0 0 0 0
speech-patterns/index 0 0 0 0 0 0 0
Glossary TransVoice-Wiki 0 0 0 0 0 0 0
various/covert-practice 0 0 0 0 0 0 0
various/hall-of-fame 0 0 0 0 0 0 0
various/hyperadduction 0 0 0 0 0 0 0
various/index 0 0 0 0 0 0 0
various/low-fem-voices 0 0 0 0 0 0 0
various/passages 68% 68% 6 732 4,141 0 1 0 0
vocal-weight/index 0 0 0 0 1 0 0
voice-examples/index 0 0 0 0 0 0 0

Overview

Project website github.com/trans-archive/TransVoice-Wiki
Language Chinese (Simplified Han script)
Language code zh_Hans
Text direction Left to right
Number of speakers 1,286,095,292
4 hours ago

String statistics

Strings percent Hosted strings Words percent Hosted words Characters percent Hosted characters
Total 737 27,268 170,476
Approved 91% 671 92% 25,249 92% 156,843
Waiting for review 0% 0 0% 0 0% 0
Translated 91% 671 92% 25,249 92% 156,843
Needs editing 8% 66 7% 2,019 7% 13,633
Read-only 0% 0 0% 0 0% 0
Failing checks 8% 59 6% 1,731 7% 12,272
Strings with suggestions 0% 0 0% 0 0% 0
Untranslated strings 0% 0 0% 0 0% 0
Last 12 months Previous

Activity in last 12 months

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JunJulAugSepOctNovDecJanFebMarAprMay

Quick numbers

27,268
Hosted words
737
Hosted strings
91%
Translated
1
Contributors
and previous 30 days

Trends of last 30 days

—
Hosted words
+100%
—
Hosted strings
+100%
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+91%
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+100%
User avatar Leetfs

Changes committed
Changes committed 3 weeks ago
User avatar Leetfs

Translation approved
## How To Read a Spectrogram
[See explanation here](https://wiki.sumianvoice.com/wiki/pages/other-resources/spectrograms.html)
## 如何阅读频谱图
[点击此处查看解释](https://transvoice-wiki.mtf.wiki/translate/zh_Hans/other-resources/spectrograms)
3 weeks ago
User avatar Leetfs

Translation changed
## How To Read a Spectrogram
[See explanation here](https://wiki.sumianvoice.com/wiki/pages/other-resources/spectrograms.html)
## 如何阅读频谱图
[点击此处查看解释](https://wiki.sumitransvoice.com-wiki.mtf.wiki/translate/zh_Hans/other-resources/spectrograms.html)
3 weeks ago
User avatar Leetfs

Changes committed
Changes committed a month ago
User avatar Leetfs

Translation approved
{: .spaced_list }
- [Pitch is not that important!](pitch) Well, it's actually _really important_ but not in the way you might think. It's very useful for training, intonation and a few other things, but it's not a gender factor _in and of itself_.
- It's important to be aware at every stage of the possibility of falling into bad habits so be aware of what can go wrong in each exercise. You don't need to worry about it, just know that it *can* happen **and then it won't**.
- Finding a [voice example](/wiki/pages/voice-examples) you think is an improvement on your current voice, or in other words is closer to your goal is **really helpful** for having a sense of direction. If you find you're getting lost and aren't sure what to do, this might help.
- **Break large goals down into smaller steps!** If you have a huge goal, it can demotivate you and make it harder to see the progress you're getting. Instead of having a goal like "pass as X", it's a good idea to break it down into smaller steps like "change pitch to Y" and "learn vocal weight control to Z degree".
- Sometimes, knowing voice anatomy or reading research papers or watching videos about voice pedagogy is useful for background, but if you're reading or theorising more than you're practising, it's not helping!
- **Avoid all kinds of effort or strain**. If you can do a low pitch voice, and you can do a high pitch falsetto / hollow voice, then you should be able to do everything in between without strain! Keep it lazy and relaxed. If you add more effort, you will get less results in almost every case; keep it relaxed at least 95% of the time! Effort also *partially prevents your subconscious from making voice changes*, leading to a less natural sound, so the importance of this cannot be overstated.
- **Never try to move physical parts of your voice** around manually (e.g. the larynx). Knowing that they move is fine, but the problem with setting moving something as the goal is that to move a physical thing, we expect feedback in the form of physical sensation (and also it's a conscious action; we want subconscious actions as a priority). However, if you can feel physical sensations while using your voice, there's something badly wrong! You don't notice your voice normally because it's so automatic and relaxed, so keep that trend going!
- Drills and exercises are for exploration and to induce a change in some vocal characteristic before using your voice. Exploration is one of the most important parts of voice because most of voice is determined by coordination and habit.
- *Practice* doesn't mean just doing drills. Good practice is drilling only when needed, then speaking freely. Here's a biased ranking of practice methods:
1. speaking in the presence of voices you want to sound like
2. just talking in voice chat or in person
3. doing a drill and reading a passage
4. doing SOVTEs or VFEs
- **Have fun with it!** If you approach voice training as something to experiment with and explore then you'll get incredibly fast progress. This is regardless of how much you actually need your voice to be a certain way; the fact remains that being less attached to the sounds you make while training will help substantially to free your voice up to learn new skills.
{: .spaced_list }
- [音高并不重要！](pitch) 或者说音高实际上是以一种或许没有想到的方式 _非常重要_ 。具体来说，音高对于练习、语调和其它方面有显著效果，但其本身并不是决定语音性别的重要因素。
- 在每个阶段的练习中，你都要应该注意自己的习惯是否向着不好的方向发展，因而注意每次练习中出现的问题是重要的。虽然需要注意，但你不需要担心，因为在意识到可能存在的问题时，绝大部分问题会被你的大脑自动纠正。
- 找到一个你认为比你现在的声音更好的 [语音样例](/translate/zh_Hans/voice-examples)，也就是，认为比你的当前声音更接近目标是 **非常有帮助的** ，因为这可以不断为自己的练习提供方向。这可能会有所帮助，尤其是在你不知道下一步该怎么做时。
- **将大目标分解成小步骤！** 如果目标过于远大，则可能让你更难看到自己取得的进步，进而使你失去动力。与其设定「像 X 一样 pass」这样的目标，不如将其分解成 「将音高改变到 Y」 和 「学习将音重控制到 Z 」 等小步骤。
- 有时，了解 语音解剖学 (voice anatomy) 或 阅读研究论文 或 观看有关声音教学的视频 对了解背景知识很有用，但如果你阅读或理论的时间比练习的时间多，那就没有太多帮助了。
- **避免任何形式的用力或紧张**。如果你能做到低音声音，也能做到高音假声 / 空腔声音，那么你应该能够在两者之间自由切换而不紧张。保持放松——如果过于用力或紧张，绝大多数情况下你的练习效果都会显著的下降、也会部分阻止潜意识对声音的调整，导致声音听起来不自然。因此，请保持至少 95% 的放松。
- **永远不要试图刻意的移动你声音的物理部分**（例如使用某些方法训练喉部高度等）。我们完全可以从理论上知道在各种练习中，部分身体部位会有各种移动，但我们的最终目的并不应该是将某个部位移动到特定位置——因为要移动部位，我们往往期待通过身体感受来反馈（而且这还是一个故意的动作；我们优先需要练习潜意识下的动作）。然而，如果你能在发声时感到身体的反馈，就已经有很大的问题了。正常情况下你不会注意到自己的声音，因为它是自然且放松的。关于用力与紧张的负面效果简介可见上条。
- 练习是为了在使用你的声音之前探索和诱导一些声音特征的变化。也就是说，探索是声音最重要的部分之一，因为大部分声音是由协调发声部位和发声习惯决定的。
- *练习* 并不意味着只是做练习。好的做法是只在需要时进行练习，然后自由地发声。以下是练习方法的偏向性排名：
1. 在您想要模仿的声音前发声
2. 只是通过语音聊天或面对面交谈时发声
3. 完成一个训练后，再朗读一段文字
4. 做 SOVTE 或 VFE
- **享受其中的乐趣。** 如果你将声音训练视为一种实验和探索的过程，那么你将会获得非常快速的进步。这无关乎你多么需要你的声音达到某种状态。不执着于训练时发出声音的各种统计数据可以很好地解放你的声音（如上所言，紧张和刻意会拖慢你的练习），以便更好地提升。
a month ago
User avatar Leetfs

Translation changed
{: .spaced_list }
- [Pitch is not that important!](pitch) Well, it's actually _really important_ but not in the way you might think. It's very useful for training, intonation and a few other things, but it's not a gender factor _in and of itself_.
- It's important to be aware at every stage of the possibility of falling into bad habits so be aware of what can go wrong in each exercise. You don't need to worry about it, just know that it *can* happen **and then it won't**.
- Finding a [voice example](/wiki/pages/voice-examples) you think is an improvement on your current voice, or in other words is closer to your goal is **really helpful** for having a sense of direction. If you find you're getting lost and aren't sure what to do, this might help.
- **Break large goals down into smaller steps!** If you have a huge goal, it can demotivate you and make it harder to see the progress you're getting. Instead of having a goal like "pass as X", it's a good idea to break it down into smaller steps like "change pitch to Y" and "learn vocal weight control to Z degree".
- Sometimes, knowing voice anatomy or reading research papers or watching videos about voice pedagogy is useful for background, but if you're reading or theorising more than you're practising, it's not helping!
- **Avoid all kinds of effort or strain**. If you can do a low pitch voice, and you can do a high pitch falsetto / hollow voice, then you should be able to do everything in between without strain! Keep it lazy and relaxed. If you add more effort, you will get less results in almost every case; keep it relaxed at least 95% of the time! Effort also *partially prevents your subconscious from making voice changes*, leading to a less natural sound, so the importance of this cannot be overstated.
- **Never try to move physical parts of your voice** around manually (e.g. the larynx). Knowing that they move is fine, but the problem with setting moving something as the goal is that to move a physical thing, we expect feedback in the form of physical sensation (and also it's a conscious action; we want subconscious actions as a priority). However, if you can feel physical sensations while using your voice, there's something badly wrong! You don't notice your voice normally because it's so automatic and relaxed, so keep that trend going!
- Drills and exercises are for exploration and to induce a change in some vocal characteristic before using your voice. Exploration is one of the most important parts of voice because most of voice is determined by coordination and habit.
- *Practice* doesn't mean just doing drills. Good practice is drilling only when needed, then speaking freely. Here's a biased ranking of practice methods:
1. speaking in the presence of voices you want to sound like
2. just talking in voice chat or in person
3. doing a drill and reading a passage
4. doing SOVTEs or VFEs
- **Have fun with it!** If you approach voice training as something to experiment with and explore then you'll get incredibly fast progress. This is regardless of how much you actually need your voice to be a certain way; the fact remains that being less attached to the sounds you make while training will help substantially to free your voice up to learn new skills.
{: .spaced_list }
- [音高并不重要！](pitch) 或者说音高实际上是以一种或许没有想到的方式 _非常重要_ 。具体来说，音高对于练习、语调和其它方面有显著效果，但其本身并不是决定语音性别的重要因素。
- 在每个阶段的练习中，你都要应该注意自己的习惯是否向着不好的方向发展，因而注意每次练习中出现的问题是重要的。虽然需要注意，但你不需要担心，因为在意识到可能存在的问题时，绝大部分问题会被你的大脑自动纠正。
- 找到一个你认为比你现在的声音更好的 [语音样例](/translate/zh_Hans/voice-examples)，也就是，认为比你的当前声音更接近目标是 **非常有帮助的** ，因为这可以不断为自己的练习提供方向。这可能会有所帮助，尤其是在你不知道下一步该怎么做时。
- **将大目标分解成小步骤！** 如果目标过于远大，则可能让你更难看到自己取得的进步，进而使你失去动力。与其设定「像 X 一样 pass」这样的目标，不如将其分解成 「将音高改变到 Y」 和 「学习将 音重 控制到 Z 」 等小步骤。
- 有时，了解 语音解剖学 (voice anatomy) 或 阅读研究论文 或 观看有关声音教学的视频 对了解背景知识很有用，但如果你阅读或理论的时间比练习的时间多，那就没有太多帮助了。
- **避免任何形式的用力或紧张**。如果你能做到低音声音，也能做到高音假声 / 空腔声音，那么你应该能够在两者之间自由切换而不紧张。保持放松——如果过于用力或紧张，绝大多数情况下你的练习效果都会显著的下降、也会部分阻止潜意识对声音的调整，导致声音听起来不自然。因此，请保持至少 95% 的放松。
- **永远不要试图刻意的移动你声音的物理部分**（例如使用某些方法训练喉部高度等）。我们完全可以从理论上知道在各种练习中，部分身体部位会有各种移动，但我们的最终目的并不应该是将某个部位移动到特定位置——因为要移动部位，我们往往期待通过身体感受来反馈（而且这还是一个故意的动作；我们优先需要练习潜意识下的动作）。然而，如果你能在发声时感到身体的反馈，就已经有很大的问题了。正常情况下你不会注意到自己的声音，因为它是自然且放松的。关于用力与紧张的负面效果简介可见上条。
- 练习是为了在使用你的声音之前探索和诱导一些声音特征的变化。也就是说，探索是声音最重要的部分之一，因为大部分声音是由协调发声部位和发声习惯决定的。
- *练习* 并不意味着只是做练习。好的做法是只在需要时进行练习，然后自由地发声。以下是练习方法的偏向性排名：
1. 在您想要模仿的声音前发声
2. 只是通过语音聊天或面对面交谈时发声
3. 完成一个训练后，再朗读一段文字
4. 做 SOVTE 或 VFE
- **享受其中的乐趣。** 如果你将声音训练视为一种实验和探索的过程，那么你将会获得非常快速的进步。这无关乎你多么需要你的声音达到某种状态。不执着于训练时发出声音的各种统计数据可以很好地解放你的声音（如上所言，紧张和刻意会拖慢你的练习），以便更好地提升。
a month ago
User avatar Leetfs

Translation changed
{: .spaced_list }
- [Pitch is not that important!](pitch) Well, it's actually _really important_ but not in the way you might think. It's very useful for training, intonation and a few other things, but it's not a gender factor _in and of itself_.
- It's important to be aware at every stage of the possibility of falling into bad habits so be aware of what can go wrong in each exercise. You don't need to worry about it, just know that it *can* happen **and then it won't**.
- Finding a [voice example](/wiki/pages/voice-examples) you think is an improvement on your current voice, or in other words is closer to your goal is **really helpful** for having a sense of direction. If you find you're getting lost and aren't sure what to do, this might help.
- **Break large goals down into smaller steps!** If you have a huge goal, it can demotivate you and make it harder to see the progress you're getting. Instead of having a goal like "pass as X", it's a good idea to break it down into smaller steps like "change pitch to Y" and "learn vocal weight control to Z degree".
- Sometimes, knowing voice anatomy or reading research papers or watching videos about voice pedagogy is useful for background, but if you're reading or theorising more than you're practising, it's not helping!
- **Avoid all kinds of effort or strain**. If you can do a low pitch voice, and you can do a high pitch falsetto / hollow voice, then you should be able to do everything in between without strain! Keep it lazy and relaxed. If you add more effort, you will get less results in almost every case; keep it relaxed at least 95% of the time! Effort also *partially prevents your subconscious from making voice changes*, leading to a less natural sound, so the importance of this cannot be overstated.
- **Never try to move physical parts of your voice** around manually (e.g. the larynx). Knowing that they move is fine, but the problem with setting moving something as the goal is that to move a physical thing, we expect feedback in the form of physical sensation (and also it's a conscious action; we want subconscious actions as a priority). However, if you can feel physical sensations while using your voice, there's something badly wrong! You don't notice your voice normally because it's so automatic and relaxed, so keep that trend going!
- Drills and exercises are for exploration and to induce a change in some vocal characteristic before using your voice. Exploration is one of the most important parts of voice because most of voice is determined by coordination and habit.
- *Practice* doesn't mean just doing drills. Good practice is drilling only when needed, then speaking freely. Here's a biased ranking of practice methods:
1. speaking in the presence of voices you want to sound like
2. just talking in voice chat or in person
3. doing a drill and reading a passage
4. doing SOVTEs or VFEs
- **Have fun with it!** If you approach voice training as something to experiment with and explore then you'll get incredibly fast progress. This is regardless of how much you actually need your voice to be a certain way; the fact remains that being less attached to the sounds you make while training will help substantially to free your voice up to learn new skills.
{: .spaced_list }
- [音高并不重要！](pitch) 或者说音高实际上是以一种或许没有想到的方式 _非常重要_ 。具体来说，音高对于练习、语调和其它方面有显著效果，但其本身并不是决定语音性别的重要因素。
- 在每个阶段的练习中，你都要应该注意自己的习惯是否向着不好的方向发展，因而注意每次练习中出现的问题是重要的。虽然需要注意，但你不需要担心，因为在意识到可能存在的问题时，绝大部分问题会被你的大脑自动纠正。
- 找到一个你认为比你现在的声音更好的 [语音样例](/translate/zh_Hans/voice-examples)，也就是，认为比你的当前声音更接近目标是 **非常有帮助的** ，因为这可以不断为自己的练习提供方向。这可能会有所帮助，尤其是在你不知道下一步该怎么做时。
- **将大目标分解成小步骤！** 如果目标过于远大，则可能让你更难看到自己取得的进步，进而使你失去动力。与其设定「像 X 一样 pass」这样的目标，不如将其分解成 「将音高改变到 Y」 和 「学习将 vocal weight音重 控制到 Z 」 等小步骤。
- 有时，了解 语音解剖学 (voice anatomy) 或 阅读研究论文 或 观看有关声音教学的视频 对了解背景知识很有用，但如果你阅读或理论的时间比练习的时间多，那就没有太多帮助了。
- **避免任何形式的用力或紧张**。如果你能做到低音声音，也能做到高音假声 / 空腔声音，那么你应该能够在两者之间自由切换而不紧张。保持放松——如果过于用力或紧张，绝大多数情况下你的练习效果都会显著的下降、也会部分阻止潜意识对声音的调整，导致声音听起来不自然。因此，请保持至少 95% 的放松。
- **永远不要试图刻意的移动你声音的物理部分**（例如使用某些方法训练喉部高度等）。我们完全可以从理论上知道在各种练习中，部分身体部位会有各种移动，但我们的最终目的并不应该是将某个部位移动到特定位置——因为要移动部位，我们往往期待通过身体感受来反馈（而且这还是一个故意的动作；我们优先需要练习潜意识下的动作）。然而，如果你能在发声时感到身体的反馈，就已经有很大的问题了。正常情况下你不会注意到自己的声音，因为它是自然且放松的。关于用力与紧张的负面效果简介可见上条。
- 练习是为了在使用你的声音之前探索和诱导一些声音特征的变化。也就是说，探索是声音最重要的部分之一，因为大部分声音是由协调发声部位和发声习惯决定的。
- *练习* 并不意味着只是做练习。好的做法是只在需要时进行练习，然后自由地发声。以下是练习方法的偏向性排名：
1. 在您想要模仿的声音前发声
2. 只是通过语音聊天或面对面交谈时发声
3. 完成一个训练后，再朗读一段文字
4. 做 SOVTE 或 VFE
- **享受其中的乐趣。** 如果你将声音训练视为一种实验和探索的过程，那么你将会获得非常快速的进步。这无关乎你多么需要你的声音达到某种状态。不执着于训练时发出声音的各种统计数据可以很好地解放你的声音（如上所言，紧张和刻意会拖慢你的练习），以便更好地提升。
a month ago
User avatar Leetfs

Translation approved
### Pitch naturalisation at a set pitch
This is slightly more advanced, so it is best to use it only if we either get stuck on the floating method, or have already achieved some changes through that exercise. This can also be used to bring a lighter voice down low in pitch for deep feminine voices, once enough skill is learned.
- pick a pitch to use as a base pitch; make sure it's not too high, it should be easy to do in your heavier, more masculine voice
- slide up to this pitch and speak one phrase monotone, keeping it loud and strong
- start the second phrase a little higher, but have it come down to the base pitch again by the end, making it easier to add intonation
- at no point in this exercise should you 'try' to do anything, and it's best to avoid focusing on any individual aspects. Instead, is the overall voice getting more natural and easy to use?
- at each pitch step your goal is to become more lazy and relaxed over time and to get used to speaking at this level; your body wants to do certain things to the voice at each pitch and so you should let it.
- when you're very very comfortable and it feels natural and not 'pushed' to speak here, go to the next pitch or start again
- if you can let the intonation naturally go quite high, then you'll get a little more results faster but again don't 'try' to do so
### 在固定音高的音高自然化
这一练习相对更高级，因此建议在「上扬」法遇到瓶颈，或已经通过该练习取得一定进展后再尝试。该方法还可用于在掌握足够技能后，将较轻的声音降至较低音高，以适应较深沉的女性化声音。
- 选择一个基础音高，确保它不会太高，应该能够轻松用较厚重、较男性化的声音发出。
- 滑动到该音高，并用单一音高朗读一个短语，保持响亮且有力的发声。
- 让第二个短语的起始音高略高一些，但在结尾回落到基础音高，这样可以更容易加入语调变化。
- 在整个练习过程中，不要刻意「尝试」去做任何调整，避免专注于某个具体特征。相反，要关注整体语音是否变得更自然、更易使用。
- 在每个音高阶段，你的目标是逐渐变得更放松、更自在，并习惯在该音高下讲话。你的身体在每个音高下都会有自然的调整倾向，因此应顺其自然。
- 当你在该音高下感觉**非常非常**自然，且没有任何压力时，可以尝试下一个音高，或重新开始整个过程。
- 如果你能让语调自然上扬，可能会获得更快的效果，但同样不要刻意去做到这一点
2 months ago
User avatar Leetfs

Translation approved
## Get more [pitch range](/wiki/pages/pitch-range)
- at first this means just using the voice at a slightly higher pitch sometimes to stretch your range over time. Fatigue or strain is to be avoided entirely; if you feel tension in the neck you are trying too hard or are too high
- blending into m2/falsetto and making it sound more full
- practice intonating progressively higher
## 扩展[音域 (pitch range)](/translate/zh_Hans/pitch-range)
- 一开始可以在更高的音高上练习，以便逐渐扩大音高范围。避免紧张或疲劳；如果感到喉部紧绷，说明你用力过猛或音高过高
- 练习将 M2 / 假声融合进主声区，使其听起来更加饱满
- 逐步练习更高的语调变化
2 months ago
User avatar Leetfs

Translation approved
---
title: Acoustic Resonance
parent: Big List of Stuff
nav_order: 19
has_children: false
nav_exclude: true
---
<details closed markdown="block">
<summary>
Table of contents
</summary>
{: .text-delta }
1. TOC
{:toc}
</details>
<!-- remove nav_show: true when this is filled -->
---
title: 声学共鸣（Acoustic Resonance）
parent: "杂项"
nav_order: 19
has_children: false
nav_exclude: false
---
<details closed markdown="block">
<summary>
目录
</summary>
{: .text-delta }
1. TOC
{:toc}
</details>
<!-- remove nav_show: true when this is filled -->
2 months ago
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