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9,232 Characters 100%

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17 1,526 9,232
Translated strings Browse Translate Zen
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Overview

Project website github.com/trans-archive/TransVoice-Wiki
Translation process
  • Translations can be made directly.
  • Translation suggestions can be made.
  • Translations are reviewed by dedicated reviewers.
  • Any authenticated user can contribute.
  • The translation uses monolingual files.
  • The translation base language can not be edited.
Source code repository https://github.com/trans-archive/TransVoice-Wiki
Repository branch main
Last remote commit Merge pull request #11 from ProjectTransOfficial/weblate-transvoice-wiki-main 1c92b98
User avatar Linzh7 authored 13 days ago
Last commit in Weblate Merge pull request #11 from ProjectTransOfficial/weblate-transvoice-wiki-main 1c92b98
User avatar Linzh7 authored 13 days ago
Weblate repository https://weblate.project-trans.org/git/transvoice-wiki/main/
File mask translate/*/getting-started/index.md
Monolingual base language file translate/en/getting-started/index.md
Translation file Download translate/zh_Hans/getting-started/index.md
Last change March 1, 2025, 4:09 a.m.
Last change made by None
Language Chinese (Simplified Han script)
Language code zh_Hans
Text direction Left to right
Number of speakers 1,286,095,292
Number of plurals 1
Plural type None
Plurals
Plural formula 0
13 days ago

String statistics

Strings percent Hosted strings Words percent Hosted words Characters percent Hosted characters
Total 17 1,526 9,232
Approved 94% 16 95% 1,461 95% 8,851
Waiting for review 5% 1 4% 65 4% 381
Translated 100% 17 100% 1,526 100% 9,232
Needs editing 0% 0 0% 0 0% 0
Read-only 0% 0 0% 0 0% 0
Failing checks 0% 0 0% 0 0% 0
Strings with suggestions 0% 0 0% 0 0% 0
Untranslated strings 0% 0 0% 0 0% 0
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Quick numbers

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User avatar Linzh7

Changes committed
Changes committed 13 days ago
User avatar Linzh7

Translation approved
## Practice speech patterns
- find an [example](/wiki/pages/voice-examples) of a voice you like
- you don't need to be monotone to sound masculine, but you do need to keep the voice heavy if you do intonate
- masculine voices typically have less intonation frequency, meaning they may intonate up once and let it slowly drop, rather than going up and down for every word (but, again it's not always the case)
## 训练语音模式
- 找一个你喜欢的 [语音示例](/translate/zh_Hans/voice-examples)。
- 不需要让语调完全单调来听起来更男性化，但如果你有语调变化，仍然需要保持声音的重量感。
- 男性化语音通常语调变化频率较低，可能会在某处稍微上扬后缓慢下降，而不会在每个词上都出现明显的音调起伏（但这也不是绝对的）
13 days ago
User avatar Linzh7

Translation approved
## Develop a lower resonance and darker voice
- mouth space and articulation are extremely important, so look at some methods that focus on that like [hah/haw](/wiki/pages/resonance/#haah-and-haww)
- it may be needed to lower overall resonance too, not just mouth space; whispering high to low as a guide, or doing a yawn, can make that happen
## 培养更低的共鸣和更低沉的音色
- 口腔空间和发音方式极为重要，可以尝试一些专注于这些方面的方法，例如 [hah/haw 练习](/translate/zh_Hans/resonance/#haah-and-haww)。
- 可能需要降低整体共鸣，而不仅仅是调整口腔空间。尝试从高到低的轻语练习，或者哈欠练习（本教程皆附），可以帮助降低共鸣
13 days ago
User avatar Linzh7

Translation approved
## Expand your lower range
- low pitch and heavy vocal weight are linked, and to achieve one you need the other
- [Vocal Weight Layering slides](/wiki/pages/vocal-weight/#pitch-slide-vocal-weight-layering) are a good exercise to start with
- avoid fry and pressed phonation, as they don't help but can sound lower in pitch
## 扩展低音范围
- 低音高和高音重是相关的，两个往往且需要被同时掌握。
- [音重分层滑音](/translate/zh_Hans/vocal-weight/#pitch-slide-vocal-weight-layering) 练习是一个很好的入门训练。
- 避免低频喉音和受压发声，这些可能会让声音听起来更低沉，但实际上并不会真正降低音高
13 days ago
User avatar Linzh7

Translation approved
## Start [mimicry](/wiki/pages/microbehaviours/mimicry) and learn [microbehaviours](/wiki/pages/microbehaviours)
- you can do this at any time, but make sure you can hit the pitch and resonance of the voice you're mimicking or else it might be quite difficult
- find a clip of a voice such as from [voice examples](/wiki/pages/voice-examples) that is not outside your pitch or resonance range
- put a beep sound at the beginning for timing if needed
- practice speaking over it as it plays and also listening and copying
</details>
## ## 开始 [模仿练习](/translate/zh_Hans/microbehaviours/mimicry) 并学习 [微行为](microbehaviours)
- 你可以随时进行这项练习，但要确保自己能够匹配你所模仿声音的音高和共鸣，否则可能会变得非常困难。
- 找一个与你的音高和共鸣范围相匹配的语音片段，例如[语音示例](voice-examples)中的内容。
- 如果需要，可以在语音片段开头添加一个提示声（比如哔）来帮助掌握节奏。
- 在播放音频时尝试跟读，并练习聆听和模仿。
</details>
13 days ago
User avatar Linzh7

Translation changed
## Get more [pitch range](/wiki/pages/pitch-range)
- at first this means just using the voice at a slightly higher pitch sometimes to stretch your range over time. Fatigue or strain is to be avoided entirely; if you feel tension in the neck you are trying too hard or are too high
- blending into m2/falsetto and making it sound more full
- practice intonating progressively higher
## 扩展[音域 (pitch range)](/translate/zh_Hans/pitch-range)
- 一开始可以在更高的音高上练习，以便逐渐扩大音高范围。避免紧张或疲劳；如果感到喉部紧绷，说明你用力过猛或音高过高
- 练习将 M2 / 假声融合进主声区，使其听起来更加饱满
- 逐步练习更高的语调变化
13 days ago
User avatar Linzh7

Translation approved
- reduce any [breathiness](/wiki/pages/clarity/breathiness)
- practice lighter onsets with glottal strikes
- reduce [FVF](/wiki/pages/clarity/FVF) or roughness if present
- identify sources of tension and eliminate them
- find or create your strategically lazy configuration
- 降低 [气声](/translate/zh_Hans/clarity/breathiness)
- 练习更轻柔的起音，并加入 声门冲击 (glottal strikes) 训练
- 减少 [假声带](/translate/zh_Hans/clarity/FVF) 收缩 或 声音粗糙感
- 识别并消除紧张源
- 找到或创建适合你的「懒惰配置」（放松、易达到但有效的语音状态）
13 days ago
User avatar Linzh7

Translation approved
## Raise [resonance](/wiki/pages/resonance) and brighten as needed
- try to think of resonance as just an **aspect of sound**, don't focus on physical aspects like raising the larynx except for context
- people often raise their larynx (and thus, resonance) when going to a high pitch, so you might not even need to do this step
- avoid [FVF](/wiki/pages/clarity/FVF) constriction (old man / old woman voice)
- avoid unvoiced / whisper slides if you can, or **prioritise doing voiced** ones. If you do unvoiced slides, make sure they are not constricted or rough, use "la" or "wa" (soft onsets) to help reduce the chance of constriction
- clean the sound up before using it. Don't use a configuration that is rough or efforful, make it smooth first even at the cost of lowering resonance slightly
## 提高[共鸣](/translate/zh_Hans/resonance)并增强明亮度
- 只需将共鸣视为声音的**一种特质**，而不是专注于喉头位置等物理方面
- 人们在升高音高时通常会自然提升喉头（进而提高共鸣），因此你可能不需要特意练习这一步
- 避免 [假声带](/translate/zh_Hans/clarity/FVF) 收缩（避免出现「老年人声音」）
- 避免无声滑音或低声滑音，优先「有声滑音」。如果进行无声滑音，确保它们不紧绷或粗糙，可以用「la」或「wa」进行柔和起音，以减少收缩的可能性
- 先让声音变得平滑，再进行进一步调整。如果当前配置听起来粗糙或费力，先调整使其平滑，即使这意味着共鸣稍微降低。
13 days ago
User avatar Linzh7

Translation approved
## Lower [vocal weight](/wiki/pages/vocal-weight) and raise pitch using [pitch naturalisation](/wiki/pages/PIPM)
- **PIPM** or Pitch Intuitive Practice Methodology is a good start; it can achieve better results than typical exercises if you don't yet have strong habits or issues
- a relaxed high pitch will usually be light in vocal weight provided it isn't forced in some other way (i.e. breathiness)
- using "awwww" as if talking to a cute puppy is a good behavioural trigger for getting light vocal weight
- just sliding up to a higher pitch and then down half as far (e.g. C3 to C4 to G3) will help a lot with this too
- even just speaking at a slightly higher pitch than normal for a while will help, provided it is done naturally and not forced (see [pitch naturalisation](/wiki/pages/PIPM))
- avoid [breathiness](/wiki/pages/clarity/breathiness) or going too light, avoid [M2 / falsetto](/wiki/pages/other-resources/mechanisms) for now
## 降低 [音重 (vocal weight)](vocal-weight) 并通过 [音高自然化 (pitch naturalisation)](/translate/zh_Hans/PIPM) 提升音高
- **PIPM**（音高直觉练习法）是一个不错的初始方案——如果你还没有形成强烈的习惯或遇到显著的问题，它可能比典型练习有更好的效果。
- 一个放松的高音通常声音较轻，若没有其它方式的迫使提高音高（如气声）。
- 使用 「awwww」 这种像对着可爱的小狗说话的语气是实现轻声音重量的一个很好的行为触发。
- 仅仅通过滑向一个较高的音高然后回落一半（如从 C3 到 C4 再到 G3）也会对此有很大帮助。
- 即使只是暂时地在自然不强迫的情况下用稍高于平时的音高讲话也会有帮助（参见 [音高自然化](PIPM)）。
- 避免 [气声](/translate/zh_Hans/clarity/breathiness) 或过轻的声音，在刚开始练习还没有足够经验的时候，尽量避免使用 [M2 / 假声](/translate/zh_Hans/other-resources/mechanisms) 。
13 days ago
User avatar Linzh7

Translation approved
{: .spaced_list }
- [Pitch is not that important!](pitch) Well, it's actually _really important_ but not in the way you might think. It's very useful for training, intonation and a few other things, but it's not a gender factor _in and of itself_.
- It's important to be aware at every stage of the possibility of falling into bad habits so be aware of what can go wrong in each exercise. You don't need to worry about it, just know that it *can* happen **and then it won't**.
- Finding a [voice example](/wiki/pages/voice-examples) you think is an improvement on your current voice, or in other words is closer to your goal is **really helpful** for having a sense of direction. If you find you're getting lost and aren't sure what to do, this might help.
- **Break large goals down into smaller steps!** If you have a huge goal, it can demotivate you and make it harder to see the progress you're getting. Instead of having a goal like "pass as X", it's a good idea to break it down into smaller steps like "change pitch to Y" and "learn vocal weight control to Z degree".
- Sometimes, knowing voice anatomy or reading research papers or watching videos about voice pedagogy is useful for background, but if you're reading or theorising more than you're practising, it's not helping!
- **Avoid all kinds of effort or strain**. If you can do a low pitch voice, and you can do a high pitch falsetto / hollow voice, then you should be able to do everything in between without strain! Keep it lazy and relaxed. If you add more effort, you will get less results in almost every case; keep it relaxed at least 95% of the time! Effort also *partially prevents your subconscious from making voice changes*, leading to a less natural sound, so the importance of this cannot be overstated.
- **Never try to move physical parts of your voice** around manually (e.g. the larynx). Knowing that they move is fine, but the problem with setting moving something as the goal is that to move a physical thing, we expect feedback in the form of physical sensation (and also it's a conscious action; we want subconscious actions as a priority). However, if you can feel physical sensations while using your voice, there's something badly wrong! You don't notice your voice normally because it's so automatic and relaxed, so keep that trend going!
- Drills and exercises are for exploration and to induce a change in some vocal characteristic before using your voice. Exploration is one of the most important parts of voice because most of voice is determined by coordination and habit.
- *Practice* doesn't mean just doing drills. Good practice is drilling only when needed, then speaking freely. Here's a biased ranking of practice methods:
1. speaking in the presence of voices you want to sound like
2. just talking in voice chat or in person
3. doing a drill and reading a passage
4. doing SOVTEs or VFEs
- **Have fun with it!** If you approach voice training as something to experiment with and explore then you'll get incredibly fast progress. This is regardless of how much you actually need your voice to be a certain way; the fact remains that being less attached to the sounds you make while training will help substantially to free your voice up to learn new skills.
{: .spaced_list }
- [音高并不重要！](pitch) 或者说音高实际上是以一种或许没有想到的方式 _非常重要_ 。具体来说，音高对于练习、语调和其它方面有显著效果，但其本身并不是决定语音性别的重要因素。
- 在每个阶段的练习中，你都要应该注意自己的习惯是否向着不好的方向发展，因而注意每次练习中出现的问题是重要的。虽然需要注意，但你不需要担心，因为在意识到可能存在的问题时，绝大部分问题会被你的大脑自动纠正。
- 找到一个你认为比你现在的声音更好的 [语音样例](/translate/zh_Hans/voice-examples)，也就是，认为比你的当前声音更接近目标是 **非常有帮助的** ，因为这可以不断为自己的练习提供方向。这可能会有所帮助，尤其是在你不知道下一步该怎么做时。
- **将大目标分解成小步骤！** 如果目标过于远大，则可能让你更难看到自己取得的进步，进而使你失去动力。与其设定「像 X 一样 pass」这样的目标，不如将其分解成 「将音高改变到 Y」 和 「学习将 vocal weight 控制到 Z 」 等小步骤。
- 有时，了解 语音解剖学 (voice anatomy) 或 阅读研究论文 或 观看有关声音教学的视频 对了解背景知识很有用，但如果你阅读或理论的时间比练习的时间多，那就没有太多帮助了。
- **避免任何形式的用力或紧张**。如果你能做到低音声音，也能做到高音假声 / 空腔声音，那么你应该能够在两者之间自由切换而不紧张。保持放松——如果过于用力或紧张，绝大多数情况下你的练习效果都会显著的下降、也会部分阻止潜意识对声音的调整，导致声音听起来不自然。因此，请保持至少 95% 的放松。
- **永远不要试图刻意的移动你声音的物理部分**（例如使用某些方法训练喉部高度等）。我们完全可以从理论上知道在各种练习中，部分身体部位会有各种移动，但我们的最终目的并不应该是将某个部位移动到特定位置——因为要移动部位，我们往往期待通过身体感受来反馈（而且这还是一个故意的动作；我们优先需要练习潜意识下的动作）。然而，如果你能在发声时感到身体的反馈，就已经有很大的问题了。正常情况下你不会注意到自己的声音，因为它是自然且放松的。关于用力与紧张的负面效果简介可见上条。
- 练习是为了在使用你的声音之前探索和诱导一些声音特征的变化。也就是说，探索是声音最重要的部分之一，因为大部分声音是由协调发声部位和发声习惯决定的。
- *练习* 并不意味着只是做练习。好的做法是只在需要时进行练习，然后自由地发声。以下是练习方法的偏向性排名：
1. 在您想要模仿的声音前发声
2. 只是通过语音聊天或面对面交谈时发声
3. 完成一个训练后，再朗读一段文字
4. 做 SOVTE 或 VFE
- **享受其中的乐趣。** 如果你将声音训练视为一种实验和探索的过程，那么你将会获得非常快速的进步。这无关乎你多么需要你的声音达到某种状态。不执着于训练时发出声音的各种统计数据可以很好地解放你的声音（如上所言，紧张和刻意会拖慢你的练习），以便更好地提升。
13 days ago
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