Translation status

14 Strings 100%
Browse Translate
567 Words 100%
3,540 Characters 100%

Strings status

Strings Words Characters
14 567 3,540
All strings Browse Translate Zen
10 259 1,630
Approved strings Browse Translate Zen
14 567 3,540
Translated strings Browse Translate Zen
4 308 1,910
Strings waiting for review Browse Translate Zen

Summary

Project website github.com/trans-archive/TransVoice-Wiki
Project reviewers User avatar leetestUser avatar Linzh7User avatar Robbin-GUser avatar ChisakaKanako
Translation process
  • Translations can be made directly.
  • Translation suggestions can be made.
  • Translations are reviewed by dedicated reviewers.
  • Any authenticated user can contribute.
  • The translation uses monolingual files.
  • The translation base language can not be edited.
Source code repository https://github.com/trans-archive/TransVoice-Wiki
Repository branch main
Last remote commit Merge pull request #16 from ProjectTransOfficial/weblate-transvoice-wiki-main 5136ecd
User avatar Linzh7 authored 2 months ago
Last commit in Weblate Merge pull request #16 from ProjectTransOfficial/weblate-transvoice-wiki-main 5136ecd
User avatar Linzh7 authored 2 months ago
Weblate repository https://weblate.project-trans.org/git/transvoice-wiki/main/
File mask translate/*/getting-started/pitch.md
Monolingual base language file translate/en/getting-started/pitch.md
Translation file Download translate/zh_Hans/getting-started/pitch.md
Last change June 27, 2025, 1:36 a.m.
Last change made by None
Language Chinese (Simplified Han script)
Language code zh_Hans
Text direction Left to right
Case sensitivity Case-insensitive
Number of speakers 1,286,444,445
Number of plurals 1
Plural type None
Plurals
Plural formula 0
2 weeks ago

String statistics

Strings percent Hosted strings Words percent Hosted words Characters percent Hosted characters
Total 14 567 3,540
Approved 71% 10 45% 259 46% 1,630
Waiting for review 28% 4 54% 308 54% 1,910
Translated 100% 14 100% 567 100% 3,540
Needs editing 0% 0 0% 0 0% 0
Read-only 0% 0 0% 0 0% 0
Failing checks 0% 0 0% 0 0% 0
Strings with suggestions 0% 0 0% 0 0% 0
Untranslated strings 0% 0 0% 0 0% 0
Last 12 months Previous

Activity in last 12 months

0 changes 0 changes 0 changes 0 changes 0 changes 44 changes 0 changes 0 changes 0 changes 0 changes 0 changes 51 changes 0 changes 0 changes 0 changes 0 changes 0 changes 0 changes 0 changes 6 changes 0 changes 0 changes 0 changes 0 changes
SepOctNovDecJanFebMarAprMayJunJulAug

Quick numbers

567
Hosted words
14
Hosted strings
100%
Translated
2
Contributors
and previous 30 days

Trends of last 30 days

—
Hosted words
+100%
—
Hosted strings
+100%
—
Translated
+100%
—
Contributors
+100%
User avatar Linzh7

Changes committed
Changes committed 2 months ago
User avatar Linzh7

Translation changed
Even if we manage to keep our configuration together, the subtle ways we make the voice bright and feminine will be harder to achieve when we're already trying so hard to keep things together. As soon as we add intonation, tempo changes and other [speech patterns](/wiki/pages/speech-patterns), the microbehaviours / glottal behaviours can fall apart.
即使我们能保持语音配置稳定，在低音高情况下使语音明亮、女性化的微妙技巧也会变得更加难以实现。只要我们加入语调变化、语速变化以及其他 [语音模式](../speech-patterns)，微行为和声门控制就容易崩溃。
2 months ago
User avatar Linzh7

Translation changed
## Why low pitch feminine voices are hard
So if pitch isn't important to the gendering of a voice, why are low pitch feminine voices so hard? Well the short answer is [microbehaviours](/wiki/pages/microbehaviours) (and vocal weight mastery). Microbehaviours are tiny subconscious things we do that make up the way we speak and produce tone. When we go to a lower pitch our configuration can be so fragile that it breaks up completely, or we could cover up the lack of coordination with things like [breathiness](/wiki/pages/clarity/breathiness). This is compounded if we don't have extremely good vocal weight control. Essentially, at a low pitch feminine configuration, we're doing things our voices really _don't want to do_ and so it takes a lot of coordination and practice to learn how.
## 为什么低音高的女性化语音很难掌握
既然音高本身不会影响语音性别，那为什么低音高的女性化语音如此难以掌握？简单来说，主要原因是 [微行为](../microbehaviours)（以及音重控制）。微行为是我们在说话时下意识进行的微小调整，它些东方面共同塑造了我们的语音特质。当音高降低时，我们的语音配置可能会变得不稳定，导致整体崩溃，或者我们可能会用 [气声](../clarity/breathiness) 来掩盖协调不足的问题。如果我们没有极强的音重控制能力，这种情况会更加严重。本质上，低音高的女性化语音是在做一些我们的声音「本不愿意做」的事情，因此需要大量的协调和练习才能掌握。
2 months ago
User avatar Linzh7

Translation changed
A good pitch that is usually not too high for most people, but still gets the benefits of lowering vocal weight and often raising resonance too, is 200hz or G3. For most people this is the sweetspot. Too much higher is straining or flipping into [M2 / falsetto](/wiki/pages/other-resources/mechanisms), too much lower risks becoming heavier in vocal weight and darker in [resonance](/wiki/pages/resonance).
通常来说，适合大多数人的理想音高大约是 200Hz（G3），它既不会太高以至于紧绷或进入 [M2 / 假声](../other-resources/mechanisms)，也不会太低而导致音重加重或 [共鸣](../resonance) 导致音色变低沉。
2 months ago
User avatar Linzh7

Translation changed
A good pitch that is usually not too high for most people, but still gets the benefits of lowering vocal weight and often raising resonance too, is 200hz or G3. For most people this is the sweetspot. Too much higher is straining or flipping into [M2 / falsetto](/wiki/pages/other-resources/mechanisms), too much lower risks becoming heavier in vocal weight and darker in [resonance](/wiki/pages/resonance).
通常来说，适合大多数人的理想音高大约是 200Hz（G3），它既不会太高以至于紧绷或进入 [M2 / 假声](../other-resources/mechanisms)，也不会太低而导致音重加重或 [共鸣](resonance) 导致音色变低沉。
2 months ago
User avatar Linzh7

Translation changed
## So in what way _is_ pitch important?
Put simply, a lot of exercises use pitch as a method of changing other factors. When we go up in pitch we usually lower [vocal weight](/wiki/pages/vocal-weight), which is useful in a pitch slide. So in essence, while pitch is not important to the way a voice is perceived, it _is_ important to the way we train our voices.
## 音高在什么方面重要
简单来说，许多训练方法使用音高来改变其他因素。当我们升高音高时，通常会降低 [音重](../vocal-weight)，这在 音高滑动/滑音 中很有用。因此，虽然音高本身不会影响语音的性别认知，但在训练语音时，音高确实很重要。
2 months ago
User avatar Linzh7

Changes committed
Changes committed 6 months ago
User avatar Linzh7

Translation replaced
[voice example - imawonder](/wiki/pages/voice-examples/#imawonder){: .btn .btn-green }
[样例 - imawonder](/translate/zh_Hans/voice-examples/#imawonder){: .btn .btn-green }
6 months ago
User avatar Linzh7

Translation replaced
[voice example - Jackie Liu](/wiki/pages/voice-examples/#jackie-liu){: .btn .btn-green }
[样例 - Jackie Liu](/translate/zh_Hans/voice-examples/#jackie-liu){: .btn .btn-green }
6 months ago
User avatar Linzh7

Translation replaced
Even if we manage to keep our configuration together, the subtle ways we make the voice bright and feminine will be harder to achieve when we're already trying so hard to keep things together. As soon as we add intonation, tempo changes and other [speech patterns](/wiki/pages/speech-patterns), the microbehaviours / glottal behaviours can fall apart.
即使我们能保持语音配置稳定，在低音高情况下使语音明亮、女性化的微妙技巧也会变得更加难以实现。只要我们加入语调变化、语速变化以及其他 [语音模式](/translate/zh_Hans/speech-patterns)，微行为和声门控制就容易崩溃。
6 months ago
Browse all translation changes