Translation status

14 Strings 100%
Browse Translate
1,558 Words 100%
8,989 Characters 100%

Strings status

Strings Words Characters
14 1,558 8,989
All strings Browse Translate Zen
13 1,297 7,653
Approved strings Browse Translate Zen
14 1,558 8,989
Translated strings Browse Translate Zen
1 261 1,336
Strings waiting for review Browse Translate Zen
14 1,558 8,989
Strings without a label Browse Translate Zen

Overview

Project website github.com/trans-archive/TransVoice-Wiki
Translation process
  • Translations can be made directly.
  • Translation suggestions can be made.
  • Translations are reviewed by dedicated reviewers.
  • Any authenticated user can contribute.
  • The translation uses monolingual files.
  • The translation base language can not be edited.
Source code repository https://github.com/trans-archive/TransVoice-Wiki
Repository branch main
Last remote commit Merge pull request #11 from ProjectTransOfficial/weblate-transvoice-wiki-main 1c92b98
User avatar Linzh7 authored 13 days ago
Last commit in Weblate Merge pull request #11 from ProjectTransOfficial/weblate-transvoice-wiki-main 1c92b98
User avatar Linzh7 authored 13 days ago
Weblate repository https://weblate.project-trans.org/git/transvoice-wiki/main/
File mask translate/*/PIPM/index.md
Monolingual base language file translate/en/PIPM/index.md
Translation file Download translate/zh_Hans/PIPM/index.md
Last change March 1, 2025, 4:09 a.m.
Last change made by None
Language Chinese (Simplified Han script)
Language code zh_Hans
Text direction Left to right
Number of speakers 1,286,095,292
Number of plurals 1
Plural type None
Plurals
Plural formula 0
13 days ago

String statistics

Strings percent Hosted strings Words percent Hosted words Characters percent Hosted characters
Total 14 1,558 8,989
Approved 92% 13 83% 1,297 85% 7,653
Waiting for review 7% 1 16% 261 14% 1,336
Translated 100% 14 100% 1,558 100% 8,989
Needs editing 0% 0 0% 0 0% 0
Read-only 0% 0 0% 0 0% 0
Failing checks 0% 0 0% 0 0% 0
Strings with suggestions 0% 0 0% 0 0% 0
Untranslated strings 0% 0 0% 0 0% 0
Last 12 months Previous

Activity in last 12 months

0 changes 0 changes 0 changes 0 changes 0 changes 0 changes 0 changes 0 changes 0 changes 0 changes 0 changes 0 changes 0 changes 0 changes 0 changes 0 changes 0 changes 91 changes 0 changes 6 changes 0 changes 0 changes 0 changes 54 changes
MarAprMayJunJulAugSepOctNovDecJanFeb

Quick numbers

1,558
Hosted words
14
Hosted strings
100%
Translated
2
Contributors
and previous 30 days

Trends of last 30 days

—
Hosted words
+100%
—
Hosted strings
+100%
+50%
Translated
+50%
+100%
Contributors
—
User avatar Linzh7

Changes committed
Changes committed 13 days ago
User avatar Linzh7

Translation approved
# Part Two - Brightness
Brightness comes from many sources but the main source is that resonance and clarity interact to make a voice brighter. We can approach these things in a similar manner to the pitch naturalisation. If we get stuck, it may be necessary to do some basic [resonance](/wiki/pages/resonance) training just to get the ability to shift it at all first and then come back to this exercise, but it is worth attempting first. If you've gone through the previous exercises and naturalised your voice to F3 or above, then this is a good time to try this exercise.
### Dark to bright naturalisation
- start at a medium pitch with a deep, dark, yawn-like voice
- speak a passage and let it adjust, becoming brighter
- this means high resonance
- find a good balance for this
- if you find you have not enough range or don't get any changes, try the unvoiced and then the voiced resonance exercises
- make sure to start very very deep and low resonance, otherwise you will find it harder to make changes
- making changes slowly is better than having it jump suddenly
# 第二部分 - 明亮度
明亮度来源于多个因素，但最主要的来源是共鸣和清晰度的交互作用，它们共同使声音变得更加明亮。我们可以使用类似于音高自然化的方法来调整这些特性。如果在过程中遇到困难，可能需要先进行一些基础的 [共鸣](/translate/zh_Hans/resonance) 训练，以获得调整共鸣的能力，然后再回到这个练习。但首先尝试直接进行这个练习仍然是值得的。如果你已经完成了前面的练习，并且让你的声音自然化到 F3 或更高，那么现在是一个很好的时机来尝试这一练习。
### 从低沉音色到明亮音色的自然化
- 从中等音高开始，使用深沉、低共鸣、类似打哈欠的声音。
- 朗读一段文本，让声音逐渐调整，变得更加明亮。
- 明亮的声音通常意味着更高的共鸣。
- 找到适合自己的平衡点。
- 如果发现自己的共鸣变化范围不够，或者没有明显的变化，可以先进行无振动练习，然后再尝试有振动共鸣练习。
- 确保从非常低沉、低共鸣的状态开始，否则后续的调整会变得更加困难。
- 逐步调整比突然跳变更有效
13 days ago
User avatar Linzh7

Translation changed
# Part Two - Brightness
Brightness comes from many sources but the main source is that resonance and clarity interact to make a voice brighter. We can approach these things in a similar manner to the pitch naturalisation. If we get stuck, it may be necessary to do some basic [resonance](/wiki/pages/resonance) training just to get the ability to shift it at all first and then come back to this exercise, but it is worth attempting first. If you've gone through the previous exercises and naturalised your voice to F3 or above, then this is a good time to try this exercise.
### Dark to bright naturalisation
- start at a medium pitch with a deep, dark, yawn-like voice
- speak a passage and let it adjust, becoming brighter
- this means high resonance
- find a good balance for this
- if you find you have not enough range or don't get any changes, try the unvoiced and then the voiced resonance exercises
- make sure to start very very deep and low resonance, otherwise you will find it harder to make changes
- making changes slowly is better than having it jump suddenly
# 第二部分 - 明亮度
明亮度来源于多个因素，但最主要的来源是共鸣和清晰度的交互作用，它们共同使声音变得更加明亮。我们可以使用类似于音高自然化的方法来调整这些特性。如果在过程中遇到困难，可能需要先进行一些基础的 [共鸣](resonance) 训练，以获得调整共鸣的能力，然后再回到这个练习。但首先尝试直接进行这个练习仍然是值得的。如果你已经完成了前面的练习，并且让你的声音自然化到 F3 或更高，那么现在是一个很好的时机来尝试这一练习。
### 从低沉音色到明亮音色的自然化
- 从中等音高开始，使用深沉、低共鸣、类似打哈欠的声音。
- 朗读一段文本，让声音逐渐调整，变得更加明亮。
- 明亮的声音通常意味着更高的共鸣。
- 找到适合自己的平衡点。
- 如果发现自己的共鸣变化范围不够，或者没有明显的变化，可以先进行无振动练习，然后再尝试有振动共鸣练习。
- 确保从非常低沉、低共鸣的状态开始，否则后续的调整会变得更加困难。
- 逐步调整比突然跳变更有效
13 days ago
User avatar Linzh7

Translation approved
# Pitch Naturalisation
A method for reducing vocal weight and achieving overall more consistent and clear glottal behavior.
# 音高自然化 (Pitch Naturalisation)
一种用于减少音重并达到更加可持续的、清晰的声门发音技巧的方法。
13 days ago
User avatar Linzh7

Changes committed
Changes committed 2 weeks ago
User avatar Linzh7

Translation changed
# Part Two - Brightness
Brightness comes from many sources but the main source is that resonance and clarity interact to make a voice brighter. We can approach these things in a similar manner to the pitch naturalisation. If we get stuck, it may be necessary to do some basic [resonance](/wiki/pages/resonance) training just to get the ability to shift it at all first and then come back to this exercise, but it is worth attempting first. If you've gone through the previous exercises and naturalised your voice to F3 or above, then this is a good time to try this exercise.
### Dark to bright naturalisation
- start at a medium pitch with a deep, dark, yawn-like voice
- speak a passage and let it adjust, becoming brighter
- this means high resonance
- find a good balance for this
- if you find you have not enough range or don't get any changes, try the unvoiced and then the voiced resonance exercises
- make sure to start very very deep and low resonance, otherwise you will find it harder to make changes
- making changes slowly is better than having it jump suddenly
# 第二部分 - 明亮度
明亮度来源于多个因素，但最主要的来源是共鸣和清晰度的交互作用，它们共同使声音变得更加明亮。我们可以使用类似于音高自然化的方法来调整这些特性。如果在过程中遇到困难，可能需要先进行一些基础的 [共鸣](resonance)训练，以获得调整共鸣的能力，然后再回到这个练习。但首先尝试直接进行这个练习仍然是值得的。如果你已经完成了前面的练习，并且让你的声音自然化到 F3 或更高，那么现在是一个很好的时机来尝试这一练习。
### 从低沉音色到明亮音色的自然化
- 从中等音高开始，使用深沉、低共鸣、类似打哈欠的声音。
- 朗读一段文本，让声音逐渐调整，变得更加明亮。
- 明亮的声音通常意味着更高的共鸣。
- 找到适合自己的平衡点。
- 如果发现自己的共鸣变化范围不够，或者没有明显的变化，可以先进行无振动练习，然后再尝试有振动共鸣练习。
- 确保从非常低沉、低共鸣的状态开始，否则后续的调整会变得更加困难。
- 逐步调整比突然跳变更有效
2 weeks ago
User avatar Linzh7

Translation changed
### Pitch naturalisation at a set pitch
This is slightly more advanced, so it is best to use it only if we either get stuck on the floating method, or have already achieved some changes through that exercise. This can also be used to bring a lighter voice down low in pitch for deep feminine voices, once enough skill is learned.
- pick a pitch to use as a base pitch; make sure it's not too high, it should be easy to do in your heavier, more masculine voice
- slide up to this pitch and speak one phrase monotone, keeping it loud and strong
- start the second phrase a little higher, but have it come down to the base pitch again by the end, making it easier to add intonation
- at no point in this exercise should you 'try' to do anything, and it's best to avoid focusing on any individual aspects. Instead, is the overall voice getting more natural and easy to use?
- at each pitch step your goal is to become more lazy and relaxed over time and to get used to speaking at this level; your body wants to do certain things to the voice at each pitch and so you should let it.
- when you're very very comfortable and it feels natural and not 'pushed' to speak here, go to the next pitch or start again
- if you can let the intonation naturally go quite high, then you'll get a little more results faster but again don't 'try' to do so
### 在固定音高的音高自然化
这一练习相对更高级，因此建议在「上扬」法遇到瓶颈，或已经通过该练习取得一定进展后再尝试。该方法还可用于在掌握足够技能后，将较轻的声音降至较低音高，以适应较深沉的女性化声音。
- 选择一个基础音高，确保它不会太高，应该能够轻松用较厚重、较男性化的声音发出。
- 滑动到该音高，并用单一音高朗读一个短语，保持响亮且有力的发声。
- 让第二个短语的起始音高略高一些，但在结尾回落到基础音高，这样可以更容易加入语调变化。
- 在整个练习过程中，不要刻意「尝试」去做任何调整，避免专注于某个具体特征。相反，要关注整体语音是否变得更自然、更易使用。
- 在每个音高阶段，你的目标是逐渐变得更放松、更自在，并习惯在该音高下讲话。你的身体在每个音高下都会有自然的调整倾向，因此应顺其自然。
- 当你在该音高下感觉**非常非常**自然，且没有任何压力时，可以尝试下一个音高，或重新开始整个过程。
- 如果你能让语调自然上扬，可能会获得更快的效果，但同样不要刻意去做到这一点。
2 weeks ago
User avatar Linzh7

Translation changed
### Pitch naturalisation at a set pitch
This is slightly more advanced, so it is best to use it only if we either get stuck on the floating method, or have already achieved some changes through that exercise. This can also be used to bring a lighter voice down low in pitch for deep feminine voices, once enough skill is learned.
- pick a pitch to use as a base pitch; make sure it's not too high, it should be easy to do in your heavier, more masculine voice
- slide up to this pitch and speak one phrase monotone, keeping it loud and strong
- start the second phrase a little higher, but have it come down to the base pitch again by the end, making it easier to add intonation
- at no point in this exercise should you 'try' to do anything, and it's best to avoid focusing on any individual aspects. Instead, is the overall voice getting more natural and easy to use?
- at each pitch step your goal is to become more lazy and relaxed over time and to get used to speaking at this level; your body wants to do certain things to the voice at each pitch and so you should let it.
- when you're very very comfortable and it feels natural and not 'pushed' to speak here, go to the next pitch or start again
- if you can let the intonation naturally go quite high, then you'll get a little more results faster but again don't 'try' to do so
### 在固定音高的音高自然化
这一练习相对更高级，因此建议在「上扬」法遇到瓶颈，或已经通过该练习取得一定进展后再尝试。该方法还可用于在掌握足够技能后，将较轻的声音降至较低音高，以适应较深沉的女性化声音。
- 选择一个基础音高，确保它不会太高，应该能够轻松用较厚重、较男性化的声音发出。
- 滑动到该音高，并用单一音高朗读一个短语，保持响亮且有力的发声。
- 让第二个短语的起始音高略高一些，但在结尾回落到基础音高，这样可以更容易加入语调变化。
- 在整个练习过程中，不要刻意「尝试」去做任何调整，避免专注于某个具体特征。相反，要关注整体语音是否变得更自然、更易使用。
- 在每个音高阶段，你的目标是逐渐变得更放松、更自在，并习惯在该音高下讲话。你的身体在每个音高下都会有自然的调整倾向，因此应顺其自然。
- 当你在该音高下感觉**非常非常**自然，且没有任何压力时，可以尝试下一个音高，或重新开始整个过程。
- 如果你能让语调自然上扬，可能会获得更快的效果，但同样不要刻意去做到这一点。
2 weeks ago
User avatar Linzh7

Translation replaced
The idea is to start speaking at whatever is your natural relaxed pitch, with a slightly louder voice if possible. Don't go breathy or quiet, keep it strong and natural. Speak a passage; let intonation be present, and make the last note of each phrase or sentence held longer so it's easier to tell what the pitch is doing. This will be your base pitch. The base pitch will now rise just slightly, so the pitch you end each phrase on will be slightly higher too. Once you feel **very comfortable** here, let that base pitch and the whole voice float up a little further, still letting the voice rise for intonation as well. Just the act of raising the last note will shift the entire voice, and the fact that we shifted the entire voice will mean the voice will slowly and naturally adjust. How high you go is determined by which pitches are already relaxed and naturalized.
- speak at your relaxed, not-doing-anything pitch
- make sure to start strong, possibly a little bit louder and heavier than normal
- make **the last word of each phrase held longer** and monotone as it rests on the **base pitch** which helps keep the base pitch consistent
- base pitch is the pitch your voice returns to after intonation, and it's what is raising the entire voice up to that "anchor"
- once you feel comfortable here, let that last word and note float up a tiny bit, raising the whole voice
- repeat, but don't push the pitch too high - the goal is to naturalize all of your range, not raise pitch
- be extremely patient; if you rush or try too hard to control things, it won't work
- lean toward less airflow but moderately loud
- going up in pitch should be extremely easy, suspiciously so; if not, spend more time letting it naturalise it here or start again
- pitch naturalisation is called that because at each pitch, the voice sounds natural as if it's always been at this pitch and this is your "natural voice"
这个练习的核心思想是从你最自然、最放松的音高开始说话，如果可能的话，可以稍微提高音量。不要使用气声或刻意压低音量，而是保持声音的强度和自然性。朗读一段文本，让语调自然变化，并延长每个短语或句子的最后一个音，这样可以更容易感知音高的变化。这将成为你的基础音高。然后，逐渐让基础音高稍微升高，这样每个短语结束时的音高也会略微提高。当你在这个音高上感觉非常舒适时，进一步让基础音高和整个语音系统稍微升高，同时让语调继续自由上扬。仅仅是提高最后一个音，就能带动整个声音的调整，而整个声音的调整又会促使你的声音逐渐自然适应这个变化。 你可以上升到任何已自然化的音高，具体高度取决于你当前已经适应的音高范围。
- 以你最自然、最放松的音高开始说话。
- 确保从较有力的声音开始，可能比平时稍微响亮和厚重一些。
- 延长每个短语的最后一个词，并让其保持单一音高（基础音高），这有助于稳定基础音高。
- 基础音高是你的声音在语调变化后回归的音高，同时也是抬升整个声音的「锚点」。
- 当你感觉舒适后，让最后一个音稍微上浮一点，进而提高整个声音。
- 重复此过程，但不要过度推高音高——目标是让整个音高范围自然化，而不是单纯提高音高。
- 保持极大的耐心，如果过于急躁或试图强行控制，反而不会起作用。
- 减少气流，但保持适中的音量。
- 提高音高的过程应该是极其轻松的，甚至让你觉得「太容易了”」才对。如果不是这样，说明你需要更多时间让它自然化，或者需要重新开始。
- 音高自然化的本质在于，无论在哪个音高，你的声音都能听起来自然而不刻意，就像它一直以来就是这样
2 weeks ago
User avatar Linzh7

Translation replaced
## Goals
Your goal is a sound! Only focus on “does this sound closer to my goal”. Physical feelings only happen when there's a problem such as constriction or pressing, so avoid trying to make physical movements; if we do, we'll expect sensations as feedback and make those happen even though that means adding tension or constriction. Instead, it should feel no different to your untrained voice except that it might vibrate throughout your body differently. Singular aspects are mostly irrelevant unless we're troubleshooting some specific problem, so it's best to ignore things like "vocal weight" and "resonance" or any specific aspect of voice. Focus on vague ideas like "clarity" and "naturalisation" instead which allow the subconscious to do the work for you. It's much better at this than your conscious mind will ever be!
## 目标
你的目标只是一种声音! 请致力于在 「这个声音是否与我的目标更相似”」上努力。 物理上的不适感只在遇到收缩或受压迫等情况时发生，所以尽量减少物理动作；否则，我们会将这些感受当做一种反馈，并刻意促成这种感受，即使这会带来更多的紧绷感以及压缩感。 这种声音理应在物理感觉上与你未受训练的声音一致，除了对全身的振动有变。 个别要点在大部分时候不会造成影响，除非我们在排查一些具体的问题，所以最好忽略掉「声音重量”」或是「共鸣”」以及其他构成声音的要素。专心达成「清晰度”」或是「自然化”」等不那么具体的概念反而能让你的潜意识帮助你达成目标。 在声音训练上，你的潜意识比你的清醒意识要好用多了！
2 weeks ago
Browse all translation changes